Hot Fuschia and Grey cushion

too cool for school!

I’m really enjoying the new season 2012 interiors trend for neutrals – grey in particular – mixed with neon bright pops of colour – yellow, acid green and bright, bright pink, when it comes to soft furnishings ….

est magazine 'scandinavian sojourn', via decor8

Multistripe in 'Ember' by Melin Tregwynt

79-ideas

79-ideas

I love the way these colours work equally well in either a more traditional ‘shabby chic’ room, or a room that plays more towards the ‘mid-century’ modern revival, injecting a warm shot of vivid, energising colour and providing a fresh focal point without being too overpowering.

And loving colour as much as I do, I couldn’t help but get in on the act …

now available in my Etsy shop ... click on the image to get there

Strip patchworked in grey cotton mixed with hot fuschia satin, and that lovely monochrome oriental-style floral … and with an envelope closing secured with two co-ordinating buttons on the back, it looks great either way up.

TAST – 05 Herringbone Stitch

Baby it’s cold outside …

We’ve got a whole inch of snow on the ground … rather less in our garden now the children have finished with it!

But it’s hot in here! This week’s stitch for ‘Take a Stitch Tuesday’ 2012 is Herringbone Stitch …. and I went bright and warm …

I’ve used herringbone before, in the central panel of my elemental quilt

Something about this stitch that always make me think ‘oriental’ when I come to use it. Maybe I should have tried to break myself of the habit, but … well … I didn’t really want to!

I went further east than the islamic colours of the elemental quilt, looking to India. The design was inspired by one of my favourite reference books … I’ve been itching to use that bright silk for something, something hinting at vivid Indian colour, but without being a straight copy of a traditional design. The final design, now it’s stitched, makes me think more of mandalas than chintz, though …

I found a tutorial for the beaded herringbone over at Hand Embroidery from Sadalas and that, really, was my starting point – I wanted to use that, and everything else really flowed from there.

There’s a mixture of closed herringbone stitch – in the centre of the petals, and then more open around the edges. On the outside of the flower, I’ve used a double herringbone stitch, and then layered fly stitch over the top of the back-to-back herringbone framing the petals.

I adore this! (although I’m wondering whether to add a ring of orange french knots in the lozenges left in the border?)


I think it might end up as the central panel in a cushion … or perhaps a small lap quilt?